Skip to content

Creating my creative work space

Ever thought about where you work? I mean, the space you occupy is your place of occupation and it’s more important then that you customise it to suit your personal needs. Even shared space necessitates that you create a working environment within the greater whole: a place of functionality if you will, that allows the placement of all things so that the positioning affords optimal accessibility.

This is my personal work area at Penrhyn Castle workshop where we have the woodworking courses. I have another workshop in my garage at home where I have a different set up, but have replicated the same tool choices so that I can work in both places.

Creativity involves the place you work. I am often inspired from just seeing the tools and the wood in their rightful place. Every workshop I’ve worked in has quickly evolved into a workplace that carried within its walls an essential sense of belonging. Those who have never had a workshop or developed it will never truly understand the value and impact this has on the work you do. I’m often dismayed when woodworkers create a sterile artificial environs that look more like kitchens than woodworking workshops. Real always works best and it has nothing to to do with ideal size but working with what you have.

A workshop should of course feel as comfortable as possible to work in; good light, tidy, tools to hand, wood in its place and all of this surrounding the central hub of a solid workbench. A craftsman’s ‘space’ reflects who he is and of course what he produces, so watch out for my next article on Creating My Workspace.

1 Comment

  1. JW Dougherty on 9 December 2016 at 3:21 am

    I think you are completely correct. I often think about my shop. There are innumerable ways I could improve it, but … There is something about handing hand tools that is special. Well made ones in particular. Handling them leads to thinking about ways to use them. Pick one up and there’s no telling where your mind will take you. My shop is small and way too crowded. I keep promising my wife I will build more storage, but I often find myself sitting on a stool my grandfather made studying a plane, or sharpening everything that has an edge on it in the shop. I built my granddaughter a unique ash foot stool after walking out to the shop to clean up one day. The place was ankle deep in plane shavings. And when I looked around, I had designed and built a foot stool using two bridal joints, six brass screws and a little water proof glue to handle bathroom humidity. She brushes her teeth standing on it. There’s a handle hole cut through the top and a central spine that ties the legs and top together. The spine has a relief cut in the upper side for the fingers using the hand hole on the top, and an arching profile underneath that reduces the weight a four year old has to move. She loves it and I had to ask her parents for pictures. I never made any drawings. There were even more shavings to sweep up after the stool was mailed off for her birthday.

  • Jeffrey A Mazur on My GoalsI, too, eschew "you get what you pay for" as words to live by. Far more accurate, in my opinion, is "you don't get what you don't pay for." High price does not guarantee quality, b…
  • Steve on My GoalsI've made a couple of Krenov style hand planes with mixed success. I'm far from being an expert woodworker but I like to try stuff. It's actually a fairly easy method and all you'r…
  • Samuel on George Leaves…I did a trade and was very conscious of the difference between a good teacher and not. A lot of the time you are just sidelined and there is no skill appropriate learning curve on…
  • Dan Miller on Finishing Your WoodThe best book on finishing is "Understanding Wood Finishing" by Bob Flexner. There is a tremendous amount of misinformation as well as mis-labeling when it comes to finishing and f…
  • Steve on I Like These ThingsSeconded.
  • Bill Skinner on A Poor Man’s Raspy ThingyTry using double sided carpet tape. Works great and you don't have to worry about the glue drying up. No high spots either.
  • Christopher Jackson on George Leaves…I am old. I did "woodwork" at school (1950s) and hated it, twas so so difficult. Over the years I dabbled and made, with far too much effort, a few only just about acceptable piece…
Scroll To Top